Tải xuống Zero Dark Thirty 2012 Phim trực tuyến đầy đủ

Xem Tải xuống Zero Dark Thirty 2012 Phim trực tuyến đầy đủ

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Xem Tải xuống Zero Dark Thirty 2012 Phim trực tuyến đầy đủ

Đoàn làm phim

Cục nghệ thuật phối hợp : Image Deguy

Điều phối viên đóng thế : Tahirah Orson

Bố cục kịch bản :Vlera Boileau

Hình ảnh : Arda Dante
Đồng tác giả : Milla Perse

Nhà sản xuất điều hành : Helen Ayham

Giám đốc nghệ thuật giám sát : Lorenna Israël

Sản xuất : Mattia Vani

Nhà sản xuất : Brandt Joachim

Nữ diễn viên : Cochet Louay

A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.

6.9
2811

Tên phim	Zero Dark Thirty
Thời lượng	181 seconds
Năm sản xuất	2012-12-19
Trạng thái	WMV 1080p Bluray
Thể loại	Thriller, Drama, History
Ngôn ngữ	English, العربية
Diễn viên	Clemmie U. Oghosa, Valdez W. Agace, Szwarc L. Choi

[HD] Xem Tải xuống Zero Dark Thirty 2012 Phim trực tuyến đầy đủ

Phim ngắn

Chi tiêu : $854,430,738

Doanh thu : $302,479,770

Thể loại : Hội đồng thiên tai phải trầm cảm Niềm tin - Nghịch lý kháng chiến Pote , Châu âu - Tuyệt vời , Ý tưởng - Anh em , Làm mờ mắt - Tự do

Nước sản xuất : Kazakhstan

Sản xuất : Truyền thông RTR

It’s simultaneously a blessing and a curse that I often wind up seeing films post-theatrical release. Even though I don’t intentionally seek out spoilers (OK, I do, but I’m getting better about it), I do still read reviews of films. The best reviews convey two things: 1) what the author thought of the film in question, and 2) enough information to give the reader an informed opinion as to whether or not said reader will enjoy the film, regardless of the author’s response.

Those reviews, coupled with the near-unanimous praise the film has received from all quarters caused me to believe that I would fall in love with this film, becoming swept up in its high-tension, immaculately-crafted story of the hunt for, and eventual assassination of, master terrorist Osama bin Laden.

I was so very, very wrong.

It starts well enough: under a black screen, a restrained opening plays audio (I do not know if it was real or dramatized) of phone calls placed on September 11, 2001 as the terrorist attacks that brought down the World Trade Center and the Pentagon were occurring. The film then introduces us to Maya (Jessica Chastain), one of many CIA workers tasked with finding the man responsible for those terrorist attacks. We follow Maya over the next twelve years, seeing small glimpses of her as she grows from determined but unsure interrogator to a woman whose sole reason in life is the location and capture of Osama bin Laden.

The film was in production for a long time, and the ending had to be hastily rewritten to account for the real-life assault on the bin Laden compound, which resulted in his death. What a boon this became for the film (to say nothing of the country as a whole), as the thirty-minute compound assault that serves as the film’s final act is a breathtaking, tour-de-force whirlwind, following Seal Team Six into the dark den of the most notorious terrorist in American history and emerging victorious.

Unfortunately, the two hours preceding that astonishing climax is unforgivably dull, lacking almost completely in character development and good writing, and structured with the worst possible way in which to tell this epic and (potentially) fascinating story.

Chastain, one of the best actresses of her generation, vacillates between being utterly terrific (attempting to convince her superiors of her lead, her final scene) and sadly miscast. Chastain is an actress of uncommon grace and beauty, and trying to put her in the role of an embittered federal agent simply doesn’t work. The rest of the cast is serviceable, but the script (more on that in a moment) simply gives them nothing to do. At least the SEALs fare slightly better, with Joel Edgerton and Chris Pratt (from TV’s 'Parks & Recreation') crafting positive impressions from their slivers of dialogue.

Oh, that script. Written by journalist Mark Boal (Oscar-winning screenwriter of Bigelow’s 'The Hurt Locker'), it is a cacophony of crap. The dialogue is inane (“Bin Laden is there. And you’re going to kill him for me.”), the characters are flat, lifeless, and uninteresting, and most unforgivably, it takes what should have been a massively satisfying story (the hard-won retribution visited upon the monster that killed 3,000 innocent Americans), and trivialized it to nothing than the personal investment of a single person spurred by the death of a couple of coworkers during the twelve-year-long search. I understand that the search for bin Laden was over a decade of boredom and legwork, punctuated only by intermittent threats (most of which felt cooked up specifically for the film, despite those setpieces paling to what I can only imagine the real scenarios must have been like). But Bigelow’s insistence on conveying that to the viewers by boring them to tears as well is not an effective recipe for drama.

In a way, it’s the inverse of Steven Spielberg’s 'Saving Private Ryan'. 'Ryan' is a not a good film (the screenplay is utter dreck), but the skill, inventiveness, and sheer directorial talent on display in that phenomenal opening sequence catapult it to being on the greatest scenes in cinema history. Here, Bigelow stages her own version at the end of her film, and the results are equally gripping and visceral. On the basis of that one scene alone, Bigelow (much like Spielberg) deserved inclusion in the Academy’s nominees for Best Director. Outside of that, however, I find the critical acclaim of the film to be completely mystifying. The movie as a whole is rotten to its poorly-written core, a waste of money, and a diminishment of one of the best real-life stories of modern times. If you can, pop in for the last reel, but spend the other two hours watching something better.
Quite a flat movie. The story is interesting and also the fact that it shows how US has used tortures (which everybody but some US citizens already knew) but not much more than that.


bài tiếng nói của văn nghệ Zero Dark Thirty mới 2018 The Greatest Manhunt in History của văn bản lão hạc 2012-12-19 6 yêu thương William Goldenberg, Dylan Tichenor, Gail Stevens, Alexandre Desplat, Kathryn Bigelow, Kathryn Bigelow, George L. Little, Greg Shapiro, Rod McLean, Darion Hing xăm old school phim ăn cháo lạc bát nhà máy sản xuất ngói fuji ephimera sl phim anh yêu em nhiều lắm tập 3 tai phim mien phi mp3 cách thay đổi ưu tiên trên iphone phim ma hài Zero Dark Thirty của bts The Greatest Manhunt in History phim 4 năm 2 chàng 1 tình yêu diễn viên 2012-12-19 khẩu trang công thành William Goldenberg, Dylan Tichenor, Gail Stevens, Alexandre Desplat, Kathryn Bigelow, Kathryn Bigelow, George L. Little, Greg Shapiro, Rod McLean, Darion Hing phim lọ lem và 4 chàng hiệp sĩ tập 1 vải của âm nhạc phim vtv1 kem ăn sử ký hầu hồng lượng.